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Top tube, down tube and fork Light does not work- missing parts No major scratches or dings Specifications Brand: Electra Model: Amsterdam 3i Size: One Size Year: 2011? Frame Material: Steel Fork: Rigid Steel Rear Shock: NA Weight: 33 lbs 12 oz Geometry Effective Top Tube: 620mm Seat Tube: 483mm(C-T) Seat Tube Angle: NA Head Tube: 200mm Head Tube Angle: NA Rear Spacing: 135mm Standover Height: 440mm Components Headset: 1 18" Brakes: Coaster Handlebar: Aluminum- 59cm wide Stem: Quill- 30mm- 25.4mm Seatpost: CrMo- 25.0mm Saddle: Retro leatherette w/steel springs Wheelset: Aluminum Nexus 3i- 700c Front Tire: Cheng Shin- 700 x 38c Rear Tire: Cheng Shin- 700 x 38c Drivetrain Front Derailleur: NA Rear Derailleur: Shimano Nexus 3i Shifters: Shimano Nexus 3i Crankset: Aluminum. Scuffing and scratching as pictured- majority along chain guard. Please email us for a shipping quote Condition USED Normal wear and tear from cable rub. more Notes For shipping to Alaska or Hawaii. The other was a piece of junk I picked up for nothing just to have spare parts.yup, busted heel block!Īnyhoo, Matsumoku.Categories} SHOP NOW SELL YOUR GEAR Blog POLICIES ABOUT CONTACT Powered by Electra Amsterdam 3i Townie Bike Cruiser Step Thru Womens Item Description. But learn to finesse it right and care for it, and they have a really beautiful low-output vibe all their own, totally unlike their lookalike, the Gib 335.įor the record, I owned two of these EA250's, one of which was my first guitar and is still in excellent condition. Couple that with a Bigsby-style trem that could detune a tuning fork, and you had one finicky guitar. In addition, they were known for their very small (but terrifically playable) necks, which didn't prove especially stable at the changes of season. (And bearing almost no resemblance to the fine Epi archtops produced before Gib bought 'em out.) In particular, their true-hollows, like the EA250/5102T, feature woefully under-spec heel blocks that have a nasty habit of coming detached from the body of the guitar. Their archtops were a radically different story, often being plywood, and not being particularly robust. The pups have their own vibe that they do very well, but almost all are quite feedback-prone. Finishes basically decent but not quite a match for Gib of the era. I have two, worked on a third for somebody, and IMHO a Matsu solidbody is a great piece of wood.
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Matsu's solidbodies are reputed to be pretty good stuff, esp as the brand progressed into the Aria Pro II years.typically considered by many (incl in the luthier biz) to be as good or better than main-market US stuff at the time. Tama (drums), some Roland, Cimar, Maxxas, Starfield, Elger (not the toilet maker), tho I don't have much further detail on that operation. Hoshino, in turn, went on to build several other brands, incl. They did the same thing, re-badging their product as Ibanez, Robelli, Hartfeld, and a funny little company called Fender. Interestingly, as Matsumoku basically made guitars on contract for re-branding (but always to Matsu spec), the factory was just blocks from a similar manufacturer.Fuji Gen-Gakki, part of the larger Hoshino Group, IIRC. For instance the Aria 5102T is identical to the Epiphone EA250 apart from a little cosmetic bolt-on badging, as well as thinline archtops in several of the other brands. Actually, Westone was one of several interchangeable Matsumoku brands, which included Westone, Electra, Aria and Aria Pro II, Vantage, Skylark, some Washburn, some Univox, some Epiphone, and Acoustic.
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